You didn’t pour years into your writing to treat it like a hobby. I’ve managed $48M in paid media since 2011, $12M in book marketing — and I publish my own fiction — so every campaign I build runs on the numbers that actually pay authors: read-through, cost per new reader, profit after ad spend. Not impressions. Not likes. Sales.
Taking on a limited number of new author clients this quarter.

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Dear fellow author,
I didn’t set out to run a book-marketing shop. I set out to sell my own books — and discovered that everything I’d learned managing seven-figure ad budgets since 2011 worked beautifully on novels, once I stopped treating them like widgets.
A novel isn’t a widget. A series is a long game. The goal was never the click — it’s the reader who finishes book one at 2am and buys book two at full price. That’s the math I build every campaign around: read-through, also-boughts, launch stacking, list growth you actually own.
Writer friends started asking how I did it. Then their friends. Eventually it became this — a small practice where every campaign is run by me, not handed to a junior account manager you’ll never meet.
If your book is a real business — or you want it to be — I’d love to take a look.
— KevinP.S. — If I don’t think ads are your best next dollar, I’ll tell you that on our first call and point you at what is. It’s a small industry; honesty compounds.
Fiction and non-fiction don’t sell the same way, so I don’t pretend they do. We figure out which levers move your numbers — and skip the rest until it’s time.
Fiction sells on Amazon; non-fiction and expert-led books convert on Google. I run whichever storefront your readers actually buy in — built on your also-boughts, keywords, and read-through. US-only or multi-market (US + UK and beyond).
where the buying happensFacebook & Instagram campaigns for launches, series funnels, and list growth — creative and audiences tuned to readers who actually convert, not vanity reach.
where the readers scrollReader-magnet lists, welcome sequences, full funnel builds — the backbone that makes a series or a non-fiction platform pay back on the next sale. Own your audience instead of renting it.
where the long game livesPrice-promo stacking, BookBub & genre-newsletter placements, A+ listing content, and a launch calendar that lines it all up so a release hits the charts instead of trickling.
where momentum is madeAlmost nobody in this industry publishes prices — everything’s gated behind a “free strategy call.” I think you deserve to see the numbers first. Ad spend is billed directly by Amazon/Meta and stays 100% yours.
One new release, fully orchestrated for six weeks. No retainer, no application, no “book a call to find out the price.” This is the whole launch, done for you.
Most launch clients roll straight into Growth Partner when the release is live — ask about the transition rate on our call.
Amazon (fiction) or Google (non-fiction) — one title or series, one platform, handled.
Retail ads + Meta together — full-service management for a catalog that’s a real business.
Add the UK plus full Meta creative — up to 25 assets across both markets, A+ content included: $2,450/mo for the first two months, then $1,950/mo.
Stop renting your readers from Amazon. I build you a direct storefront and drive Meta campaigns straight to it — so you keep ~90%+ of every ebook sale instead of 35–70%, own your customer list, and sell special editions, bundles, and pre-orders on your terms. Nobody else packages this as a fixed, done-for-you build.
Prices are starting points for a standard single-portfolio engagement and may adjust for catalog size or number of markets. Ad spend is separate and billed directly by the platform. A recommended minimum ad budget of ~$15–20/day per portfolio applies to management plans so there’s enough data to optimize. Monthly plans are month-to-month with 14 days’ notice.
A subscription, not a course. You see the exact Amazon, Meta and Google campaigns I run — on my own catalog and on client accounts — plus a weekly live call. No mindset content, no beginner material. It assumes you can already set up an ad account and navigate Amazon’s dashboard.
Members get first look when a campaign becomes a Managed Ads or Growth Partner engagement.
A free 20 minutes on your catalog and goals. No pitch deck, no pressure — just a straight read.
Your listings, past ads, and read-through — then I map the fastest lever for your book.
Campaigns and funnels go live, structured for your genre, your pricing, your distribution.
Ongoing tuning plus a plain-English report — you always know what’s working and why.
…and if yours isn’t here, just email me. I answer my own inbox.
These are premium, done-for-you engagements, so they pay off best when your book is a real business — a series, a launch, or a non-fiction title with a funnel behind it. Ad spend is separate and always yours, and the flat fee means you never pay a percentage that punishes you for scaling.
Fiction across the commercial genres — romance, thriller/mystery, fantasy/SF, and cozy — plus non-fiction with a clear reader. If your book has a defined audience, ads can find them.
It changes the strategy, not whether ads work. We’ll build around your distribution choice and your read-through, not a one-size template.
Amazon ads typically need 2–4 weeks of data to optimize toward profit. Launches are faster and more concentrated. I’ll set honest expectations on our call — and I’d rather under-promise than churn you.
No long contracts. Monthly plans are month-to-month with 14 days’ notice. Launch Sprints are a fixed one-time project.
Tell me your genre, catalog, and budget, and I’ll send back a one-page plan of exactly which levers to pull first. No obligation — some authors take it and run it themselves. That’s fine by me.
Get my free strategy →A free 20-minute call — no pitch, just a straight read on what would move your numbers. If I’m not the right fit, I’ll point you to who is.
Book a free strategy call →or just email kfranks@jkfdigital.com — I read everything